Space In Music Of Electroacoustic Formation As a Phenomenon Of Collision Of Symbolic Immortality.

Abstract

The paper considers the ontological foundations of the musical sound continuum of the electro-acoustic formation (digital synthesis, Web, spectral and spatial music). The transformation of the orders of aesthetic accessibility of space, found in the form of cloud and stream effects, is due to the redefinition of the phenomenon of connectivity and coherence through the “revolution of sound”. On the example of the “meditative” mechanism of sound organization, which is equally significant in spatial and post-digital aesthetics, the peculiarity of kinesthesa is shown, which arises as a result of alteration in the empirical content of retention and ultimately forms the image of an existentially unlimited navigation of spaces. It is argued that the qualitative transformation of connectivity determines the hypostasis of the secondary image (the universe) to a literal visualization with its latent preservation on the periphery of meaning formation. Catharsis is dispersed in sound events of a performative non decreasing presence, which is a transformed form of immortality collision. The practice of spatialization realizes the temporal (existential) confinement of artifacts, contrary to the ideas of abandoning it in favor of space as the fifth dimension of musical continuum